{"id":4321,"date":"2019-04-16T11:30:45","date_gmt":"2019-04-16T08:30:45","guid":{"rendered":"https:\/\/mpda.ru\/?page_id=4321"},"modified":"2020-11-12T10:39:40","modified_gmt":"2020-11-12T07:39:40","slug":"fenomen-grecheskoj-religioznoj-gravjury-mesto-gravjur-iz-sobranija-muzeja-moskovskoj-duhovnoj-akademii-cerkovno-arheologicheskogo-kabineta-v-istorii-gravjury-grecheskogo-mira","status":"publish","type":"page","link":"https:\/\/mpda.ru\/en\/vestnik-cerkovnogo-iskusstva-1\/fenomen-grecheskoj-religioznoj-gravjury-mesto-gravjur-iz-sobranija-muzeja-moskovskoj-duhovnoj-akademii-cerkovno-arheologicheskogo-kabineta-v-istorii-gravjury-grecheskogo-mira\/","title":{"rendered":"\u0424\u0435\u043d\u043e\u043c\u0435\u043d \u0433\u0440\u0435\u0447\u0435\u0441\u043a\u043e\u0439 \u0440\u0435\u043b\u0438\u0433\u0438\u043e\u0437\u043d\u043e\u0439 \u0433\u0440\u0430\u0432\u044e\u0440\u044b: \u043c\u0435\u0441\u0442\u043e \u0433\u0440\u0430\u0432\u044e\u0440 \u0438\u0437 \u0441\u043e\u0431\u0440\u0430\u043d\u0438\u044f \u041c\u0443\u0437\u0435\u044f \u041c\u043e\u0441\u043a\u043e\u0432\u0441\u043a\u043e\u0439 \u0434\u0443\u0445\u043e\u0432\u043d\u043e\u0439 \u0430\u043a\u0430\u0434\u0435\u043c\u0438\u0438 &#171;\u0426\u0435\u0440\u043a\u043e\u0432\u043d\u043e-\u0430\u0440\u0445\u0435\u043e\u043b\u043e\u0433\u0438\u0447\u0435\u0441\u043a\u043e\u0433\u043e \u043a\u0430\u0431\u0438\u043d\u0435\u0442\u0430&#187; \u0432 \u0438\u0441\u0442\u043e\u0440\u0438\u0438 \u0433\u0440\u0430\u0432\u044e\u0440\u044b \u0433\u0440\u0435\u0447\u0435\u0441\u043a\u043e\u0433\u043e \u043c\u0438\u0440\u0430"},"content":{"rendered":"<p><strong>Anna L. Krasnova<\/strong><br>\u041c\u0430\u0433\u0438\u0441\u0442\u0440 \u0431\u043e\u0433\u043e\u0441\u043b\u043e\u0432\u0438\u044f, \u0430\u0441\u043f\u0438\u0440\u0430\u043d\u0442 \u043a\u0430\u0444\u0435\u0434\u0440\u044b \u0442\u0435\u043e\u0440\u0438\u0438 \u0438 \u0438\u0441\u0442\u043e\u0440\u0438\u0438 \u0446\u0435\u0440\u043a\u043e\u0432\u043d\u043e\u0433\u043e \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430 \u041c\u043e\u0441\u043a\u043e\u0432\u0441\u043a\u043e\u0439 \u0434\u0443\u0445\u043e\u0432\u043d\u043e\u0439 \u0430\u043a\u0430\u0434\u0435\u043c\u0438\u0438, 141300, \u0421\u0435\u0440\u0433\u0438\u0435\u0432 \u041f\u043e\u0441\u0430\u0434, \u0422\u0440\u043e\u0438\u0446\u0435-\u0421\u0435\u0440\u0433\u0438\u0435\u0432\u0430 \u041b\u0430\u0432\u0440\u0430, \u0410\u043a\u0430\u0434\u0435\u043c\u0438\u044f, anna.my.cloud@icloud.com<\/p>\n\n\n\n<p>\u0412\u0435\u0441\u0442\u043d\u0438\u043a \u0446\u0435\u0440\u043a\u043e\u0432\u043d\u043e\u0433\u043e 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118.<br><em>\u0414\u0430\u0432\u0438\u0434\u043e\u0432 \u0414.<\/em> \u0421\u0432\u0435\u0442\u043e\u0433\u043e\u0440\u0441\u043a\u0430 \u0433\u0440\u0430\u0444\u0438\u043a\u0430: \u0411\u0435\u043e\u0433\u0440\u0430\u0434, 2004.<br><em>\u0414\u0430\u0432\u0438\u0434\u043e\u0432 \u0414.<\/em> \u0425\u0438\u043b\u0430\u043d\u0434\u0430\u0440\u0441\u043a\u0430 \u0433\u0440\u0430\u0444\u0438\u043a\u0430: \u0411\u0435\u043e\u0433\u0440\u0430\u0434: \u041f\u0440\u043e\u0441\u0432\u0435\u0442\u0430, 1990.<br><em>\u0417\u0435\u043b\u0435\u043d\u0438\u043d\u0430 \u042f. \u042d.<\/em> \u00ab\u0414\u043e\u0441\u0442\u043e\u0439\u043d\u043e \u0415\u0441\u0442\u044c\u00bb \u0438\u043a\u043e\u043d\u0430 \u0411\u043e\u0436\u0438\u0435\u0439 \u041c\u0430\u0442\u0435\u0440\u0438 \/\/ \u041f\u0440\u0430\u0432\u043e\u0441\u043b\u0430\u0432\u043d\u0430\u044f \u042d\u043d\u0446\u0438\u043a\u043b\u043e\u043f\u0435\u0434\u0438\u044f. 2007. \u0422. 16. \u0421. 100\u2012103.<br><em>\u041a\u0440\u044a\u0441\u0442\u0430\u043d\u043e\u0432 \u0422. <\/em>\u0417\u0430\u0432\u0435\u0449\u0430\u043d\u0438\u0435\u0442\u043e \u043d\u0430 \u0425\u0440\u0438\u0441\u0442\u043e\u0444\u043e\u0440 \u0416\u0435\u0444\u0430\u0440\u043e\u0432\u0438\u0447 \/\/ IX \u0411\u044a\u043b\u0433\u0430\u0440\u043e-\u0433\u0440\u044a\u0446\u043a\u0430 \u043a\u043e\u043d\u0444.: \u041a\u0443\u043b\u0442\u0443\u0440\u043d\u0438 \u0438 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u043d\u0438 \u043e\u0442\u043d\u043e\u0448\u0435\u043d\u0438\u044f \u043e\u0442 \u0441\u0440\u0435\u0434. \u043d\u0430 XVIII \u0434\u043e \u0441\u0440\u0435\u0434\u0430\u0442\u0430 \u043d\u0430 XIX \u0432. \u0421\u043e\u0444\u0438\u044f, 1984. \u0421. 133\u2012140.<br><em>\u041a\u0443\u0439\u043a\u0438\u043d\u0430 \u0415. \u00ab<\/em>\u041f\u0440\u043e\u0441\u043a\u0438\u043d\u0438\u0442\u0430\u0440\u0438\u0439 \u0421\u0432\u044f\u0442\u043e\u0439 \u0413\u043e\u0440\u044b \u0410\u0444\u043e\u043d\u00bb \u0418\u043e\u0430\u043d\u043d\u0430 \u041a\u043e\u043c\u043d\u0438\u043d\u0430 \u041c\u043e\u043b\u0438\u0432\u0434\u0430 \u0432 \u0441\u043b\u0430\u0432\u044f\u043d\u0441\u043a\u043e\u043c \u043f\u0435\u0440\u0435\u0432\u043e\u0434\u0435 \u0438\u0435\u0440\u043e\u0434\u0438\u0430\u043a\u043e\u043d\u0430 \u0414\u0430\u043c\u0430\u0441\u043a\u0438\u043d\u0430 (1701 \u0433.), [\u042d\u043b\u0435\u043a\u0442\u0440\u043e\u043d\u043d\u044b\u0439 \u0440\u0435\u0441\u0443\u0440\u0441]. URL: http:\/\/oaji.net\/articles\/2017\/4586-1487600951.pdf (\u0434\u0430\u0442\u0430 \u043e\u0431\u0440\u0430\u0449\u0435\u043d\u0438\u044f 29.05.2018).<br><em>\u041a\u0443\u0440\u0438\u043b\u043e\u0432 \u0410. \u0410<\/em>. \u0412\u0443\u043a\u043e\u0432\u0438\u0447\u0438 \/\/ \u041f\u0440\u0430\u0432\u043e\u0441\u043b\u0430\u0432\u043d\u0430\u044f \u044d\u043d\u0446\u0438\u043a\u043b\u043e\u043f\u0435\u0434\u0438\u044f. 2005. \u0422. 10. C.&nbsp; 21\u201223.<br><em>\u041c\u0438\u043a\u0438\u045b \u041e., \u0414\u0430\u0432\u0438\u0434\u043e\u0432 \u0414., \u0421\u0442\u043ej\u0430\u043d\u043e\u0432\u0438\u045b \u0414.<\/em> \u0414\u0435\u043b\u043e \u0425\u0440\u0438\u0441\u0442\u043e\u0444\u043e\u0440\u0430 \u0416\u0435\u0444\u0430\u0440\u043e\u0432\u0438\u045b\u0430. \u041d\u043e\u0432\u0438 \u0421\u0430\u0434, 1961.<br><em>\u041f\u0435\u0442\u0440\u0443\u0448\u0438\u043d\u0430 \u041e. \u0415. <\/em>\u0413\u0440\u0435\u0446\u0438\u044f \/\/ \u041f\u0440\u0430\u0432\u043e\u0441\u043b\u0430\u0432\u043d\u0430\u044f \u044d\u043d\u0446\u0438\u043a\u043b\u043e\u043f\u0435\u0434\u0438\u044f. \u0422. 12. 2006. \u0421.&nbsp;371.<br><em>\u041f\u043e\u043b\u044b\u0432\u044f\u043d\u043d\u044b\u0439 \u0414. \u0418., \u0422\u0443\u0440\u0438\u043b\u043e\u0432 \u0410. \u0410., \u0425\u0440\u043e\u043c\u043e\u0432 \u041e. \u0420. <\/em>\u0416\u0435\u0444\u0430\u0440\u043e\u0432\u0438\u0447 \/\/ \u041f\u0440\u0430\u0432\u043e\u0441\u043b\u0430\u0432\u043d\u0430\u044f \u044d\u043d\u0446\u0438\u043a\u043b\u043e\u043f\u0435\u0434\u0438\u044f. \u0422. 19. 2008. \u0421. 157\u2012158.<br><em>\u041f\u043e\u043f\u043e\u0432 \u0413. B. <\/em>\u0414\u0440\u0435\u0432\u043d\u0435\u0438\u0306\u0448\u0438\u0438\u0306 \u0440\u0443\u0441\u0441\u043a\u0438\u0438\u0306 \u043b\u0438\u0446\u0435\u0432\u043e\u0438\u0306 \u043f\u0440\u043e\u0441\u043a\u0438\u043d\u0438\u0442\u0430\u0440\u0438\u0438\u0306 \/\/ \u0418\u0435\u0440\u0443\u0441\u0430\u043b\u0438\u043c \u0432 \u0440\u0443\u0441\u0441\u043a\u043e\u0438\u0306 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0435. \u041c., 1994. \u0421. 86\u201299.<br><em>\u041f\u043e\u043f\u043e\u0432 \u0413. \u0412. <\/em>\u041f\u0440\u0435\u0434\u0438\u0441\u043b\u043e\u0432\u0438\u0435 \/\/ \u0413\u0440\u0430\u0432\u044e\u0440\u044b \u0413\u0440\u0435\u0447\u0435\u0441\u043a\u043e\u0433\u043e \u043c\u0438\u0440\u0430 \u0432 \u043c\u043e\u0441\u043a\u043e\u0432\u0441\u043a\u0438\u0445 \u0441\u043e\u0431\u0440\u0430\u043d\u0438\u044f\u0445. \u041c., 1997. \u0421. 6.<br><em>\u0425\u0440\u043e\u043c\u043e\u0432 \u041e. \u0420. \u041a\u043e\u0440\u043d\u0435\u0435\u0432\u0430 \u041d. \u0418. <\/em>\u0413\u0440\u0430\u0432\u044e\u0440\u0430 \u0413\u0440\u0435\u0447\u0435\u0441\u043a\u043e\u0433\u043e \u043c\u0438\u0440\u0430 \u0432 \u043c\u043e\u0441\u043a\u043e\u0432\u0441\u043a\u0438\u0445 \u0441\u043e\u0431\u0440\u0430\u043d\u0438\u044f\u0445 <em>\/\/ <\/em>\u0413\u0440\u0430\u0432\u044e\u0440\u044b \u0413\u0440\u0435\u0447\u0435\u0441\u043a\u043e\u0433\u043e \u043c\u0438\u0440\u0430 \u0432 \u043c\u043e\u0441\u043a\u043e\u0432\u0441\u043a\u0438\u0445 \u0441\u043e\u0431\u0440\u0430\u043d\u0438\u044f\u0445. \u041c., 1997. \u0421.&nbsp;9\u201211.<br><em>\u0427\u0435\u0441\u043d\u043e\u043a\u043e\u0432\u0430 \u041d. \u041f. <\/em>\u0421\u0438\u043d\u0430\u0439\u0441\u043a\u0438\u0439 \u0430\u0440\u0445\u0438\u043c\u0430\u043d\u0434\u0440\u0438\u0442 \u041a\u0438\u0440\u0438\u043b\u043b (\u0421\u0442\u0430\u0440\u044b\u0439) \u0438 \u0435\u0433\u043e \u0437\u043d\u0430\u043a\u043e\u043c\u044b\u0435 \u0432 \u041c\u043e\u0441\u043a\u0432\u0435 \/\/ \u041a\u0430\u043f\u0442\u0435\u0440\u0435\u0432\u0441\u043a\u0438\u0435 \u0447\u0442\u0435\u043d\u0438\u044f. \u2116 11. [\u0431. \u043c.] 2013. \u0421. 169.<br><em>\u042d\u0442\u0438\u043d\u0433\u043e\u0444 \u041e. \u0415., \u0411\u0435\u043b\u044f\u0435\u0432 \u041b. \u0410. <\/em>\u0410\u043c\u043f\u0443\u043b\u0430 \/\/ \u041f\u0440\u0430\u0432\u043e\u0441\u043b\u0430\u0432\u043d\u0430\u044f \u044d\u043d\u0446\u0438\u043a\u043b\u043e\u043f\u0435\u0434\u0438\u044f. \u0422.&nbsp;2. 2001. \u0421. 188.<br><em>\u0397\u03bb\u03b9\u03bf\u03c5 \u03a6\u03b9\u03bb\u03b9\u03c0\u03c0\u03bf\u03c2. <\/em>\u0391\u03b3\u03b9\u03bf\u03b3\u03c1\u03ac\u03c6\u03bf\u03b9, \u03b6\u03bf\u03b3\u03c1\u03ac\u03c6\u03bf\u03b9, \u03c7\u03b1\u03c1\u03ac\u03ba\u03c4\u03b5\u03c2 \u03ba\u03b1\u03b9 \u03c3\u03c4\u03b1\u03bc\u03c0\u03b1\u03b4\u03cc\u03c1\u03bf\u03b9.\u1ffe\u0397 \u03bc\u03b1\u03c1\u03c4\u03c5\u03c1\u03af\u03b1 \u03c4\u1ff6\u03bd \u03ba\u03b1\u03c4\u03b1\u03bb\u03cc\u03b3\u03c9\u03bd \u03c3\u03c5\u03bd\u03b4\u03c1\u03bf\u03bc\u03b7\u03c4\u1ff6\u03bd. \u039c\u03b5\u03c4\u03b1\u03b2\u03c5\u03b6\u03b1\u03bd\u03c4\u03b9\u03bd\u03ac \u03a7\u03b1\u03c1\u03b1\u03ba\u03c4\u03b9\u03ba\u03ac \u03c0\u03c1\u03b1\u03ba\u03c4\u03b9\u03ba\u03ac \u03b5\u03c0\u03b9\u03c3\u03c4\u03b7\u03bc\u03bf\u03bd\u03b9\u03ba\u03ae\u03c3 \u03b7\u03bc\u03b5\u03c1\u03af\u03b4\u03b1\u03c3. \u0398\u03b5\u03c3\u03c3\u03b1\u03bb\u03bf\u03bd\u03af\u03ba\u03b7, 1995. \u03a3. 41\u201258.<br><em>\u0399\u03bf\u03c5\u03c3\u03c4\u03af\u03bd\u03bf\u03c2 \u03a3\u03b9\u03bc\u03bf\u03bd\u03c9\u03c0\u03b5\u03c4\u03c1\u03af\u03c4\u03b7\u03c2. <\/em>\u0391\u03b3\u03b9\u03bf\u03c1\u03b5\u03af\u03c4\u03b5\u03c2 \u03a7\u03b1\u03bb\u03ba\u03bf\u03b3\u03c1\u03ac\u03c6\u03bf\u03b9. \u039c\u03b5\u03c4\u03b1\u03b2\u03c5\u03b6\u03b1\u03bd\u03c4\u03b9\u03bd\u03ac \u03a7\u03b1\u03c1\u03b1\u03ba\u03c4\u03b9\u03ba\u03ac \u03c0\u03c1\u03b1\u03ba\u03c4\u03b9\u03ba\u03ac \u03b5\u03c0\u03b9\u03c3\u03c4\u03b7\u03bc\u03bf\u03bd\u03b9\u03ba\u03ae\u03c3 \u03b7\u03bc\u03b5\u03c1\u03af\u03b4\u03b1\u03c3<em>.<\/em> \u0398\u03b5\u03c3\u03c3\u03b1\u03bb\u03bf\u03bd\u03af\u03ba\u03b7, 1995. \u03a3. 59\u201272.<br><em>Davidov D. <\/em>Copperplateen Gravings of Hristofor Zefarovic for Greek Clients. \u039c\u03b5\u03c4\u03b1\u03b2\u03c5\u03b6\u03b1\u03bd\u03c4\u03b9\u03bd\u03ac \u03a7\u03b1\u03c1\u03b1\u03ba\u03c4\u03b9\u03ba\u03ac \u03c0\u03c1\u03b1\u03ba\u03c4\u03b9\u03ba\u03ac \u03b5\u03c0\u03b9\u03c3\u03c4\u03b7\u03bc\u03bf\u03bd\u03b9\u03ba\u03ae\u03c3 \u03b7\u03bc\u03b5\u03c1\u03af\u03b4\u03b1\u03c3. \u0398\u03b5\u03c3\u03c3\u03b1\u03bb\u03bf\u03bd\u03af\u03ba\u03b7, 1995. \u03a3. 21.<br><em>Della Dora V.<\/em> Turning Holy Mountains into Ladders to Heaven: Overlapping Topographies and Poetics of Space in Poste-byzantine Sacred Engravings of Mount Sinai and Mount Athos. Approaching the Holy Mountain: Art and Liturgy at St. Catherine&#8217;s Monastery in the Sinai, edited by Gerstel, Sharon E. J. III. Nelson, Robert S., 1947. Series II. P. 504\u2012535.<br><em>Egger H. <\/em>Grieche Druckwerke in Wien. Ikonen auf Papier. 1998 S. 13\u201215.<br><em>Papastratos D.<\/em> Paper Icons. Greek Orthodox Religious Engravings 1665\u20121899. Edited by John Leatham. Vol. 1. Athens, 1990.<br><em>Papastratos D.<\/em> Paper Icons. Greek Orthodox Religious Engravings 1665\u20121899. Edited by John Leatham. Vol. 2. Athens, 1990.<em>Tourta A.<\/em> Orthodox religious engravings 18th\u201220th centuries. 2001. P.&nbsp;8\u201212. <\/p>\n\n\n\n<p><strong>Anna L. Krasnova<\/strong><br>MA in Theology, Postgraduate Student of the Department of Theory and History of Church Art of \u041coscow Theological \u0410cademy Holy Trinity-St. Sergius Lavra, Sergiev Posad 141300, Russia, anna.my.cloud@icloud.com<\/p>\n\n\n\n<p><em>Church Art and Archaeology Review<\/em>, vol. 1, no. 1, 2019, pp. 182-204 (In Russian)  <\/p>\n\n\n\n<p>doi:<\/p>\n\n\n\n<p><strong>Abstract<\/strong><br>The article is devoted to the phenomenon of Greek religious engravings. There are an easel engraving with images of saints and views of monasteries, which distributed among pilgrims to promote Christian monasteries of the Orthodox Church of the East. When and why were they become used? A lot of Orthodox monasteries became poor after occupation by Ottoman Empire. Moreover, The Mount Athos had not been known in Europe until sixteenth century. The monks of the Saint Catherine&#8217;s Monastery found that the views of the Monastery mast be interesting for pilgrims and contributed to fame of their monastery. First woodcuts printed in a large number in Leo police in the middle of the 17th century. It was a great success. The monks exchanged this engraving on charity. And the Athos\u2019s monks followed the example of Sinai\u2019s monks.<br>The first engravings for The Mount Athos were printed in Europe, in such cities as Vienna, and Venice. From the end of the 18th century metal plates engraved on the Mount Athos and in the 19th century the printing of engravings was amazingly extended. The most part of engravings from the collection of Moscow Theological Academy Museum printed in the middle of the 19th century in The Mount Athos. Also, this collection has some unique prints, such as the Burning Bush. This article shows the importance of the Greek engravings for the orthodox world such the instrument for advertising the most holy places for pilgrims. This etching made a great influence on our imagination nowadays about this holly places.<\/p>\n\n\n\n<p><strong>Keywords:<\/strong> Greek religious engraving, The Mount Athos, The Saint Catherine&#8217;s Monastery, pilgrimage, Moscow Theological Academy Museum, charity, The history of greek religious engravings, the purpose of the engraving\u2019s usage, The printing of engravings.<\/p>\n\n\n\n<p><strong>References<\/strong><br>\u201cAfon\u02ee [\u201cAthos\u02ee] \/ \u201cAfon posle padeniia Vizantii\u02ee<em> <\/em>[\u201cAthos in the post-Byzantine Period\u02ee]. <em>Pravoslavnaia \u0117ntsiklopediia<\/em> [<em>Orthodox Encyclopedia<\/em>], vol. 4, 2002. (In Russian)<br>Atanasov, P<em>.<\/em> <em>Nachaloto na b\u016dlg. Knigopechatanie. <\/em>[<em>The Beginning of the Bulgarian Book Printing<\/em>]. Sofia, 1959. (In Bulgarian)<br>Chesnokova, N. P. \u201cSina\u012dski\u012d arkhimandrit Kirill (Stary\u012d) i ego znakomye v Moskve\u201d [\u201cThe Sinai Archimandrite Kirill Stary and his Friends in Moscow\u02ee]. <em>Kapterevskie chteniia<\/em> [<em>Conference in Memory of Kapterev<\/em>], no.&nbsp;11, 2013, p. 169. (In Russian)<br>Davidov, D. \u201cCopperplateen Gravings of Hristofor Zefarovic for Greek Clients\u201d, <em>Metavizantina Haraktika praktika epistimonikis imeridas<\/em> [<em>The Post Byzantine Engraving <\/em>\u2015 <em>the Modern Scientific View<\/em>], Thessaloniki, 1995, p.&nbsp;21.<br>Della Dora, V. \u201cTurning Holy Mountains into Ladders to Heaven: Overlapping Topographies and Poetics of Space in Poste-byzantine Sacred Engravings of Mount Sinai and Mount Athos\u02ee. <em>Approaching the Holy Mountain: Art and Liturgy at St. Catherine&#8217;s Monastery in the Sinai,<\/em> edited by Sharon E. J. III. Nelson, Robert S.<em>, <\/em>ser. II, 1947, pp. 504\u2012535.<br>Dinko, D<em>.<\/em> <em>Svetogorska grafika<\/em> [<em>The Graphic of The Holy Mounting<\/em>], Beograd, 2004. (In Serbian)<br>\u2013\u2013\u2013<em>Hilandarska Grafika<\/em> [<em>The Hilandar Monastery\u2019s Graphic<\/em>]. Beograd, Prosveta, 1990. (In Serbian)<br>Egger, H.\u201cGrieche Druckwerke in Wien\u02ee. <em>Ikonen auf Papier<\/em>. 1998, pp. 13\u201215. (In German)<br>\u0116tingof, O. E., Beliaev, L. A. \u201cAmpula\u02ee. <em>Pravoslavnaia \u0117ntsiklopediia <\/em>[<em>Orthodox Encyclopedia<\/em>], vol. 2, 2001, p. 188. (In Russian)<br>Filippos, \u0399liu. \u201cAjografi Zografi Haraktes ke Stambadori. I martiria ton Katalogon Sindromitonz\u02ee [\u201cPainters, Artists, Engravers and Etchings. Subscriber Directory Information\u02ee]. <em>Metavizandyna haraktyka praktyka epistymonikis imeridas <\/em>[<em>The Post Byzantine Engraving <\/em>\u2012<em> the Modern Scientific View], <\/em>Thessaloniki, 1995, pp. 41\u201258. (In Greek)<br>Simonopetritys, Justynos. \u201cAjorites Halkografi\u02ee [\u201cThe Engravers of the Holy Mountain\u02ee]. <em>Metavizandyna haraktyka praktyka epistymonikis imeridas<\/em> [<em>The Post Byzantine Engraving <\/em>\u2012<em> the Modern Scientific View<\/em>], Thessaloniki, 1995, pp. 59\u201272. (In Greek)<br>Kr\u016dstanov, T. \u201cZaveshtanieto na Khristofor Zhefarovich\u02ee [\u201cThe Will of Christopher Zhefarovich\u02ee]. <em>B\u016dlgaro-gr\u016dtska konf.: Kulturni i literaturni otnosheniia ot sred. na XVIII do sredata na XIX c<\/em>. [<em>IX Bulgars-Greek Conference. The Cultural and Literary Relevances from the middle of XVIII <\/em>\u2012<em> until middle XIX centuries<\/em>], Sofiia, 1984, pp. 133\u2012140. (In Bulgarian)<br>Ku\u012dkina, E. \u201c<em>Proskinitari\u012d Sviato\u012d Gory Afon\u201d Ioanna Komnina Molivda v slavianskom perevode ierodiakona Damaskina (1701 g.)<\/em> [<em>Procrastinarium of the Holy Mountain Athos Translated to Slavonic by Hierodeacon Damaskin (1701<\/em>)]. http:\/\/oaji.net\/articles\/2017\/4586-1487600951.pdf. (In Russian)<br>Kurilov, A. A. \u201cVukovichi\u02ee. <em>Pravoslavnaia \u0117ntsiklopediia<\/em> [<em>Orthodox Encyclopedia<\/em>]<em>, <\/em>vol. 10, 2005, pp. 21\u201223. (In Russian)<br>Miki\u0107, O., Davidov, D., Stojanovi\u0107, D. <em>Delo Hristofora \u017defarovi\u0107a <\/em>[<em>The Craftsmanship of Christofer Zhefarovich<\/em>]. Novi Sad, 1961. (In Serbian)<br>Papastratos, D. <em>Paper Icons. Greek Orthodox Religious Engravings 1665<\/em>\u2012<em>1899<\/em>. Edited by J. Leatham, vol. 1, Athens, 1990.<br>Petrushina, O. E. \u201cGretsiia\u02ee [\u201cGreece\u02ee]. <em>Pravoslavnaia \u0117ntsiklopediia <\/em>[<em>Orthodox Encyclopedia<\/em>], vol. 12, 2006, p. 371. (In Russian)<br>Polyvianny\u012d, D. I., Turilov, A. A., Khromov, O. R. \u201cZhefarovich\u02ee. <em>Pravoslavnaia \u0117ntsiklopediia<\/em>[<em>Orthodox Encyclopedia<\/em>], vol. 19, 2008, pp. 157\u2012158. (In Russian)<br>Popov, G. V.\u201cDrevnei\u0306shii\u0306 russkii\u0306 litsevoi\u0306 proskinitarii\u0306\u02ee [\u201cThe Ancient Russian Illustrated Proskinarium\u02ee]. <em>Ierusalim v russkoi\u0306 kul\u02b9ture <\/em>[<em>The Jerusalem in the Russian Culture<\/em>], Moscow, 1994, pp. 86\u201299. (In Russian)<br>\u2013\u2013\u2013\u201cPredislovie\u201d [\u201cForeword\u02ee]. <em>Graviury Grecheskogo mira v moskovskikh sobraniiakh<\/em> [<em>Prints of the Greek World in Moscow Collections<\/em>], Moscow, 1997, p. 5. (In Russian)<br>Tourta, A. <em>Orthodox Religious Engravings 18th <\/em>\u2012<em> 20th Centuries<\/em>. Thessaloniki, 2001, pp. 8\u201212.<br>Khromov, O. R. Korneeva, N. I. <em>Graviura Grecheskogo mira v moskovskikh sobraniiakh<\/em> [<em>Prints of the Greek World in Moscow Collections<\/em>]. Moscow, 1997, pp. 12\u201214. (In Russian)<br>Zelenina Ia. \u0116.\u201d\u2019Dosto\u012dno Est\u02b9\u2019 ikona Bozhie\u012d Materi\u02ee [\u201cThe Icon of the Mother of God \u2018It is Truly Meet\u2019\u201d]. <em>Pravoslavnaia \u0116ntsiklopediia <\/em>[<em>Orthodox Encyclopedia<\/em>], vol. 16, 2007, pp. 100\u2012103. 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\u0431\u043e\u0433\u043e\u0441\u043b\u043e\u0432\u0438\u044f, \u0430\u0441\u043f\u0438\u0440\u0430\u043d\u0442 \u043a\u0430\u0444\u0435\u0434\u0440\u044b \u0442\u0435\u043e\u0440\u0438\u0438 \u0438 \u0438\u0441\u0442\u043e\u0440\u0438\u0438 \u0446\u0435\u0440\u043a\u043e\u0432\u043d\u043e\u0433\u043e \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430 \u041c\u043e\u0441\u043a\u043e\u0432\u0441\u043a\u043e\u0439 \u0434\u0443\u0445\u043e\u0432\u043d\u043e\u0439 \u0430\u043a\u0430\u0434\u0435\u043c\u0438\u0438, 141300, \u0421\u0435\u0440\u0433\u0438\u0435\u0432 \u041f\u043e\u0441\u0430\u0434, \u0422\u0440\u043e\u0438\u0446\u0435-\u0421\u0435\u0440\u0433\u0438\u0435\u0432\u0430 \u041b\u0430\u0432\u0440\u0430, \u0410\u043a\u0430\u0434\u0435\u043c\u0438\u044f, anna.my.cloud@icloud.com \u0412\u0435\u0441\u0442\u043d\u0438\u043a \u0446\u0435\u0440\u043a\u043e\u0432\u043d\u043e\u0433\u043e \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430 \u0438 \u0430\u0440\u0445\u0435\u043e\u043b\u043e\u0433\u0438\u0438. 2019. \u0422. 1. \u21161. \u0421. 182-204 doi: 10.31802\/2658-5111-2019-1-182-204 \u0410\u043d\u043d\u043e\u0442\u0430\u0446\u0438\u044f\u0426\u0435\u043b\u044c \u0441\u0442\u0430\u0442\u044c\u0438 \u2015 \u0440\u0430\u0441\u043a\u0440\u044b\u0442\u044c \u043f\u043e\u043d\u044f\u0442\u0438\u0435 \u00ab\u0433\u0440\u0435\u0447\u0435\u0441\u043a\u0430\u044f \u0440\u0435\u043b\u0438\u0433\u0438\u043e\u0437\u043d\u0430\u044f \u0433\u0440\u0430\u0432\u044e\u0440\u0430\u00bb, \u0430 \u0438\u043c\u0435\u043d\u043d\u043e \u0432\u044b\u044f\u0432\u0438\u0442\u044c, \u0447\u0442\u043e \u044d\u0442\u043e \u0437\u0430 \u0433\u0440\u0430\u0432\u044e\u0440\u044b, \u0434\u043b\u044f \u0447\u0435\u0433\u043e \u043e\u043d\u0438 \u043f\u0440\u0435\u0434\u043d\u0430\u0437\u043d\u0430\u0447\u0430\u043b\u0438\u0441\u044c, \u043a\u0430\u043a\u0430\u044f \u0438\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u0430\u044f \u0441\u0438\u0442\u0443\u0430\u0446\u0438\u044f \u0441\u043f\u0440\u043e\u0432\u043e\u0446\u0438\u0440\u043e\u0432\u0430\u043b\u0430 \u0438\u0445 \u0440\u0430\u0441\u043f\u0440\u043e\u0441\u0442\u0440\u0430\u043d\u0435\u043d\u0438\u0435, \u0430 \u0442\u0430\u043a\u0436\u0435 \u043e\u043f\u0440\u0435\u0434\u0435\u043b\u0438\u0442\u044c \u0438\u0445 \u0440\u043e\u043b\u044c \u0438 \u0437\u043d\u0430\u0447\u0435\u043d\u0438\u0435 \u0434\u043b\u044f \u043e\u0431\u0438\u0442\u0435\u043b\u0435\u0439, \u0440\u0430\u0441\u043f\u043e\u043b\u043e\u0436\u0435\u043d\u043d\u044b\u0445 \u043d\u0430 \u043e\u043a\u043a\u0443\u043f\u0438\u0440\u043e\u0432\u0430\u043d\u043d\u044b\u0445 \u041e\u0441\u043c\u0430\u043d\u0441\u043a\u043e\u0439 \u0438\u043c\u043f\u0435\u0440\u0438\u0435\u0439 \u0442\u0435\u0440\u0440\u0438\u0442\u043e\u0440\u0438\u044f\u0445. \u041d\u0430 \u0433\u0440\u0430\u0432\u044e\u0440\u0430\u0445 \u0438\u0437\u043e\u0431\u0440\u0430\u0436\u0430\u044e\u0442\u0441\u044f \u043e\u0431\u0440\u0430\u0437\u044b \u0441\u0432\u044f\u0442\u044b\u0445 \u0438 \u0432\u0438\u0434\u044b \u043c\u043e\u043d\u0430\u0441\u0442\u044b\u0440\u0435\u0439, \u043a\u043e\u0442\u043e\u0440\u044b\u0435 \u0440\u0430\u0441\u043f\u0440\u043e\u0441\u0442\u0440\u0430\u043d\u044f\u043b\u0438\u0441\u044c \u043c\u043e\u043d\u0430\u0445\u0430\u043c\u0438 \u0432\u0437\u0430\u043c\u0435\u043d \u043d\u0430 \u043c\u0438\u043b\u043e\u0441\u0442\u044b\u043d\u044e \u0441\u0440\u0435\u0434\u0438 \u043f\u0430\u043b\u043e\u043c\u043d\u0438\u043a\u043e\u0432. \u0412 \u0443\u0441\u043b\u043e\u0432\u0438\u044f\u0445 \u043e\u043a\u043a\u0443\u043f\u0430\u0446\u0438\u0438 \u0440\u0430\u0441\u043f\u0440\u043e\u0441\u0442\u0440\u0430\u043d\u0435\u043d\u0438\u0435 \u0433\u0440\u0430\u0432\u044e\u0440 \u0431\u044b\u043b\u043e \u0441\u0443\u0449\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u043c \u0438\u0441\u0442\u043e\u0447\u043d\u0438\u043a\u043e\u043c \u0434\u043e\u0445\u043e\u0434\u0430 \u0434\u043b\u044f&hellip;<\/p>\n","category_list_v2":"<a href=\"https:\/\/mpda.ru\/en\/category\/knigi\/\" rel=\"category tag\">\u041a\u043d\u0438\u0433\u0438<\/a>","author_info_v2":{"name":"","url":"https:\/\/mpda.ru\/en\/author\/"},"comments_num_v2":"0 comments","publishpress_future_action":{"enabled":false,"date":"2026-07-17 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