{"id":3289,"date":"2019-03-21T15:36:06","date_gmt":"2019-03-21T12:36:06","guid":{"rendered":"https:\/\/mpda.ru\/?page_id=3289"},"modified":"2020-11-12T10:12:33","modified_gmt":"2020-11-12T07:12:33","slug":"feodor-prodrom-kak-tolkovatel-tekstov-hristianskoj-gimnografii-i-ego-kommentarij-k-kanonam-bogojavlenija","status":"publish","type":"page","link":"https:\/\/mpda.ru\/en\/arhiv-statej-bv-32\/feodor-prodrom-kak-tolkovatel-tekstov-hristianskoj-gimnografii-i-ego-kommentarij-k-kanonam-bogojavlenija\/","title":{"rendered":"\u0424\u0435\u043e\u0434\u043e\u0440 \u041f\u0440\u043e\u0434\u0440\u043e\u043c \u043a\u0430\u043a \u0442\u043e\u043b\u043a\u043e\u0432\u0430\u0442\u0435\u043b\u044c \u0442\u0435\u043a\u0441\u0442\u043e\u0432 \u0445\u0440\u0438\u0441\u0442\u0438\u0430\u043d\u0441\u043a\u043e\u0439 \u0433\u0438\u043c\u043d\u043e\u0433\u0440\u0430\u0444\u0438\u0438 \u0438 \u0435\u0433\u043e \u043a\u043e\u043c\u043c\u0435\u043d\u0442\u0430\u0440\u0438\u0439 \u043a 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\u0432\u0435\u0441\u0442\u043d\u0438\u043a. 2019. \u0422. 32. \u2116 1. \u0421. 227-239. <br>doi: 10.31802\/2500-1450-2019-32-247-259 <\/p>\n\n\n\n<p><strong>\u0410\u043d\u043d\u043e\u0442\u0430\u0446\u0438\u044f<br> <\/strong>\u041f\u0440\u043e\u0438\u0437\u0432\u0435\u0434\u0435\u043d\u0438\u044f \u043f\u0440\u0430\u0432\u043e\u0441\u043b\u0430\u0432\u043d\u043e\u0439 \u0433\u0438\u043c\u043d\u043e\u0433\u0440\u0430\u0444\u0438\u0438, \u0438\u0441\u043f\u043e\u043b\u044c\u0437\u0443\u0435\u043c\u044b\u0435 \u0437\u0430 \u0431\u043e\u0433\u043e\u0441\u043b\u0443\u0436\u0435\u043d\u0438\u0435\u043c, \u043d\u0430\u043f\u0438\u0441\u0430\u043d\u044b \u0432\u0438\u0437\u0430\u043d\u0442\u0438\u0439\u0441\u043a\u0438\u043c\u0438 \u0430\u0432\u0442\u043e\u0440\u0430\u043c\u0438, \u043c\u043d\u043e\u0433\u0438\u0435 \u0438\u0437 \u043a\u043e\u0442\u043e\u0440\u044b\u0445 \u043f\u0440\u043e\u0441\u043b\u0430\u0432\u043b\u0435\u043d\u044b \u0421\u0432\u044f\u0442\u043e\u0439 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\u0440\u0430\u0441\u043a\u0440\u044b\u0432\u0430\u044e\u0442 \u0441\u043c\u044b\u0441\u043b \u043e\u0442\u0434\u0435\u043b\u044c\u043d\u044b\u0445 \u0432\u044b\u0440\u0430\u0436\u0435\u043d\u0438\u0439 \u0438 \u0444\u0440\u0430\u0437 \u0438\u0440\u043c\u043e\u0441\u043e\u0432 \u0438 \u0442\u0440\u043e\u043f\u0430\u0440\u0435\u0439. <strong><br><\/strong><\/p>\n\n\n\n<p><strong>\u041a\u043b\u044e\u0447\u0435\u0432\u044b\u0435 \u0441\u043b\u043e\u0432\u0430: <\/strong>\u043f\u0440\u043f. \u041a\u043e\u0441\u043c\u0430 \u041c\u0430\u0438\u0443\u043c\u0441\u043a\u0438\u0439, \u043f\u0440\u043f. \u0418\u043e\u0430\u043d\u043d \u0414\u0430\u043c\u0430\u0441\u043a\u0438\u043d, \u043a\u0430\u043d\u043e\u043d \u043d\u0430 \u0411\u043e\u0433\u043e\u044f\u0432\u043b\u0435\u043d\u0438\u0435, \u0424\u0435\u043e\u0434\u043e\u0440 \u041f\u0440\u043e\u0434\u0440\u043e\u043c, \u0442\u043e\u043b\u043a\u043e\u0432\u0430\u043d\u0438\u0435 \u0431\u043e\u0433\u043e\u0441\u043b\u0443\u0436\u0435\u0431\u043d\u044b\u0445 \u0442\u0435\u043a\u0441\u0442\u043e\u0432.<br><\/p>\n\n\n\n<p><strong>Bibliography<br>\u0418\u0441\u0442\u043e\u0447\u043d\u0438\u043a\u0438<\/strong><br><em>\u041c\u0430\u043a\u0441\u0438\u043c \u0418\u0441\u043f\u043e\u0432\u0435\u0434\u043d\u0438\u043a, \u043f\u0440\u043f<\/em>. \u041c\u0438\u0441\u0442\u0430\u0433\u043e\u0433\u0438\u044f \/ \u043f\u0435\u0440. \u0438 \u043a\u043e\u043c\u043c. \u0410. \u0418. \u0421\u0438\u0434\u043e\u0440\u043e\u0432\u0430. \u041c.: \u041f\u0430\u043b\u043e\u043c\u043d\u0438\u043a\u044a, 2004.<br><em>\u0424\u0435\u043e\u0444\u0430\u043d \u0417\u0430\u0442\u0432\u043e\u0440\u043d\u0438\u043a, \u0441\u0432\u0442.<\/em> \u0421\u043e\u0431\u0440\u0430\u043d\u0438\u0435 \u043f\u0438\u0441\u0435\u043c. \u041c.: \u041f\u0440\u0430\u0432\u0438\u043b\u043e \u0432\u0435\u0440\u044b, 1994. \u0412\u044b\u043f. 2, 7.<br><em>Petit L.<\/em> Monodie de Nic\u00e9tas Eug\u00e9nianos sur Th\u00e9odore Prodrome \/\/ \u0412\u0438\u0437\u0430\u043d\u0442\u0438\u0439\u0441\u043a\u0438\u0439 \u0432\u0440\u0435\u043c\u0435\u043d\u043d\u0438\u043a. 1902. \u0422. 9. \u0421. 446\u2013463.<br><em>Theodore Prodrome.<\/em> I tetrastici giambici ed esametrici sugli episodi principali della vita di Gregorio Nazianzeno \/ ed. M. D\u2019Ambrosi. R.: Universit\u00e9 La Sapienza, 2008.<br><em>Theodori Prodromi<\/em> Commentarios in carmina sacra melodorum Cosmae Hierosolymitani et Ioannis Damasceni \/ ed. H. M. Stevenson. R.: ex bibliotheca Vaticana, 1888.<br><strong><br>Literature<br><\/strong><em>\u0411\u0435\u0437\u043e\u0431\u0440\u0430\u0437\u043e\u0432 \u041f. \u0412.,\u041b\u044e\u0431\u0430\u0440\u0441\u043a\u0438\u0439&nbsp;\u042f. \u041d. <\/em>\u0412\u0438\u0437\u0430\u043d\u0442\u0438\u0439\u0441\u043a\u0438\u0439 \u043f\u0438\u0441\u0430\u0442\u0435\u043b\u044c \u0438 \u0433\u043e\u0441\u0443\u0434\u0430\u0440\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0439 \u0434\u0435\u044f\u0442\u0435\u043b\u044c \u041c\u0438\u0445\u0430\u0438\u043b \u041f\u0441\u0435\u043b\u043b. \u041c\u0438\u0445\u0430\u0438\u043b \u041f\u0441\u0435\u043b\u043b: \u043b\u0438\u0447\u043d\u043e\u0441\u0442\u044c \u0438 \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u043e. \u0421\u041f\u0431.: \u0410\u043b\u0435\u0442\u0435\u0439\u044f, 2001.<br><em>\u0411\u0438\u0431\u0438\u043a\u043e\u0432 \u041c. \u0412.<\/em> Byzantinorossica: \u0421\u0432\u043e\u0434 \u0432\u0438\u0437\u0430\u043d\u0442\u0438\u0439\u0441\u043a\u0438\u0445 \u0441\u0432\u0438\u0434\u0435\u0442\u0435\u043b\u044c\u0441\u0442\u0432 \u043e \u0420\u0443\u0441\u0438. \u0422. 1. \u041c.: \u042f\u0437\u044b\u043a\u0438 \u0441\u043b\u0430\u0432\u044f\u043d\u0441\u043a\u043e\u0439 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u044b, 2004. (Studia Philologica).<br><em>\u0411\u0438\u0431\u0438\u043a\u043e\u0432 \u041c.&nbsp;\u0412.<\/em> \u0418\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u0430\u044f \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430 \u0412\u0438\u0437\u0430\u043d\u0442\u0438\u0438. \u0421\u041f\u0431.: \u0410\u043b\u0435\u0442\u0435\u0439\u044f, 1998. \u0421. 160\u2013169.<br><em>\u0414\u0451\u043c\u0438\u043d \u0410.&nbsp;\u0421.<\/em> \u041e \u0445\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0441\u0442\u0438 \u0434\u0440\u0435\u0432\u043d\u0435\u0440\u0443\u0441\u0441\u043a\u043e\u0439 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044b \/ \u043e\u0442\u0432. \u0440\u0435\u0434. \u0412. \u041f. \u0413\u0440\u0435\u0431\u0435\u043d\u044e\u043a. \u041c.: \u042f\u0437\u044b\u043a\u0438 \u0440\u0443\u0441\u0441\u043a\u043e\u0439 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u044b, 1998.<br><em>\u0414\u0438\u043b\u044c \u0428.<\/em> \u0412\u0438\u0437\u0430\u043d\u0442\u0438\u0439\u0441\u043a\u0438\u0435 \u043f\u043e\u0440\u0442\u0440\u0435\u0442\u044b. \u041c.: \u0418\u0437\u0434-\u0432\u043e \u0421\u0440\u0435\u0442\u0435\u043d\u0441\u043a\u043e\u0433\u043e \u043c\u043e\u043d\u0430\u0441\u0442\u044b\u0440\u044f, 2011. \u0421. 511\u2013539.<br><em>\u0418\u0433\u043d\u0430\u0442\u0438\u044f (\u041f\u0443\u0437\u0438\u043a), \u043c\u043e\u043d.<\/em> \u041f\u0440\u0435\u043f\u043e\u0434\u043e\u0431\u043d\u044b\u0439 \u041a\u043e\u0441\u043c\u0430 \u041c\u0430\u0438\u0443\u043c\u0441\u043a\u0438\u0439 \u0438 \u0435\u0433\u043e \u043a\u0430\u043d\u043e\u043d\u044b: (\u0414\u0443\u0445\u043e\u0432\u043d\u044b\u0435 \u0440\u0430\u0437\u043c\u044b\u0448\u043b\u0435\u043d\u0438\u044f) \/\/ \u0411\u0422. 1981. \u0421\u0431. 22. \u0421. 116\u2013138.<br><em>\u041a\u0430\u0436\u0434\u0430\u043d \u0410. \u041f.<\/em> \u0414\u0432\u0430 \u043d\u043e\u0432\u044b\u0445 \u0432\u0438\u0437\u0430\u043d\u0442\u0438\u0439\u0441\u043a\u0438\u0445 \u043f\u0430\u043c\u044f\u0442\u043d\u0438\u043a\u0430 XII \u0441\u0442\u043e\u043b\u0435\u0442\u0438\u044f, 1: \u0424\u0435\u043e\u0434\u043e\u0440 \u041f\u0440\u043e\u0434\u0440\u043e\u043c \u0438 \u0435\u0433\u043e \u0441\u0442\u0438\u0445\u0438 \u043d\u0430 \u0440\u043e\u0436\u0434\u0435\u043d\u0438\u0435 \u0410\u043b\u0435\u043a\u0441\u0435\u044f \u041a\u043e\u043c\u043d\u0438\u043d\u0430 \/\/ \u0412\u0438\u0437\u0430\u043d\u0442\u0438\u0439\u0441\u043a\u0438\u0439 \u0432\u0440\u0435\u043c\u0435\u043d\u043d\u0438\u043a. 1964. \u0422. 24. \u0421. 58\u201367. <br><em>\u041a\u043e\u0436\u0435\u0432\u043d\u0438\u043a\u043e\u0432\u0430 \u041d. \u0410.<\/em> \u0418\u0437\u0431\u0440\u0430\u043d\u043d\u044b\u0435 \u0440\u0430\u0431\u043e\u0442\u044b \u043f\u043e \u044f\u0437\u044b\u043a\u0443 \u0445\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0439 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044b \/ \u0441\u043e\u0441\u0442. \u0415. \u0412. \u041a\u0440\u0430\u0441\u0438\u043b\u044c\u043d\u0438\u043a\u043e\u0432\u0430, \u0415. \u042e. \u041a\u0443\u043a\u0443\u0448\u043a\u0438\u043d\u0430, \u0417. \u042e. \u041f\u0435\u0442\u0440\u043e\u0432\u0430; \u043f\u043e\u0434 \u043e\u0431\u0449. \u0440\u0435\u0434. \u0417. \u042e. \u041f\u0435\u0442\u0440\u043e\u0432\u043e\u0439. \u041c.: \u0417\u043d\u0430\u043a, 2009. <br><em>\u041a\u0440\u0430\u0441\u043e\u0432\u0438\u0446\u043a\u0430\u044f\u041c. \u0421. <\/em>\u041b\u0438\u0442\u0443\u0440\u0433\u0438\u043a\u0430: \u043a\u0443\u0440\u0441 \u043b\u0435\u043a\u0446\u0438\u0439. \u041c.: \u041f\u0421\u0422\u0413\u0423, 2014.<br><em>\u041b\u0438\u0442\u0430\u0432\u0440\u0438\u043d \u0413. \u0413<\/em>. \u0412\u0438\u0437\u0430\u043d\u0442\u0438\u0439\u0441\u043a\u0430\u044f \u0438\u043c\u043f\u0435\u0440\u0438\u044f \u0432\u043e \u0432\u0442\u043e\u0440\u043e\u0439 \u043f\u043e\u043b\u043e\u0432\u0438\u043d\u0435 VII-XII \u0432. \/\/ \u041a\u0443\u043b\u044c\u0442\u0443\u0440\u0430 \u0412\u0438\u0437\u0430\u043d\u0442\u0438\u0438 (\u0432\u0442\u043e\u0440\u0430\u044f \u043f\u043e\u043b\u043e\u0432\u0438\u043d\u0430 VII\u2013XII \u0432.) \/ \u043f\u043e\u0434 \u0440\u0435\u0434. \u0412. \u0423\u0434\u0430\u043b\u044c\u0446\u043e\u0432\u043e\u0439, \u0413. \u0413. \u041b\u0438\u0442\u0430\u0432\u0440\u0438\u043d\u0430. \u041c.: \u041d\u0430\u0443\u043a\u0430, 1989. \u0421. 11-35.<br><em>\u041f\u0430\u043f\u0430\u0434\u0438\u043c\u0438\u0442\u0440\u0438\u0443 \u0421. \u0414. <\/em>\u0424\u0435\u043e\u0434\u043e\u0440 \u041f\u0440\u043e\u0434\u0440\u043e\u043c: \u0418\u0441\u0442\u043e\u0440\u0438\u043a\u043e-\u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u043d\u043e\u0435 \u0438\u0441\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u043d\u0438\u0435. \u041e\u0434\u0435\u0441\u0441\u0430: \u0418\u0437\u0434. \u043d\u043e\u0432\u043e\u0440\u043e\u0441\u0441\u0438\u0439\u0441\u043a\u043e\u0433\u043e \u0443\u043d\u0438\u0432-\u0442\u0430, 1905.<br><em>\u041f\u043e\u043f\u043e\u0432\u0430 \u0422.&nbsp;\u0412.<\/em> \u0424\u0435\u043e\u0434\u043e\u0440 \u041f\u0440\u043e\u0434\u0440\u043e\u043c \/\/ \u041f\u0430\u043c\u044f\u0442\u043d\u0438\u043a\u0438 \u0432\u0438\u0437\u0430\u043d\u0442\u0438\u0439\u0441\u043a\u043e\u0439 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044b IX\u2013XIV \u0432\u0435\u043a\u043e\u0432 \/ \u0440\u0435\u0434. \u041b. \u0410. \u0424\u0440\u0435\u0439\u0431\u0435\u0440\u0433. \u041c.: \u041d\u0430\u0443\u043a\u0430, 1969. \u0421. 203\u2013205.<br> \u041f\u0440\u0430\u0432\u043e\u0441\u043b\u0430\u0432\u043d\u0430\u044f \u044d\u043d\u0446\u0438\u043a\u043b\u043e\u043f\u0435\u0434\u0438\u044f \/ \u0441\u043e\u0441\u0442. \u0415. \u041b. \u0418\u0441\u0430\u0435\u0432\u0430. \u041c.: \u0420\u0418\u041f\u041e\u041b \u043a\u043b\u0430\u0441\u0441\u0438\u043a, 2010.<br><em>\u0424\u0440\u0435\u0439\u0431\u0435\u0440\u0433 \u041b. \u0410., \u041f\u043e\u043f\u043e\u0432\u0430 \u0422. \u0412.<\/em> \u0412\u0438\u0437\u0430\u043d\u0442\u0438\u0439\u0441\u043a\u0430\u044f \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430 \u044d\u043f\u043e\u0445\u0438 \u0440\u0430\u0441\u0446\u0432\u0435\u0442\u0430: IX\u2013XV \u0432\u0432. \u041c.: \u041d\u0430\u0443\u043a\u0430, 1978. <br><em>Allatio L<\/em>. De Theodoris \/\/ PG. T. 133. Col. 1006.<br><em>Kazhdan A. <\/em>Theodore Prodromus: a reappraisal \/\/ Studies on Byzantine Literature of the Eleventh and Twelfth Centuries \/ ed. A. Kazhdan in collaboration with S. Franklin. Cambridge; New York; P.: Cambridge University Press, 1984. P. 87\u2013114.<br><em>Vassis I. <\/em>Graeca sunt, non leguntur: zu den schedographischen Spielereien des Theodoros Prodromos \/\/ Byzantinische Zeitschrift. 1993\u20131994. Bd. 86\u201387. S. 1\u201319. <br><em>Zanklas N. <\/em>A Byzantine grammar treatise attributed to Theodoros Prodromos \/\/ Graeco-latina Brunensia. 2011. T. 16. P. 78\u201386. <br><\/p>\n\n\n\n<p style=\"text-align:center\"> <strong>\u201cTheodore Prodrom as an Interpreter of Texts of Christian hymnography and his Commentary on the Canons of Epiphany\u201d<\/strong>.<br><\/p>\n\n\n\n<p><strong>Andre\u012d V. Antishkin.<\/strong> MA in Theology, PhD student of \u041coscow Theological \u0410cademy (MthA), The Trinity Lavra of St. Sergios, Sergiev Posad 141300, Russia. antishkin.av@gmail.com<\/p>\n\n\n\n<p><em>Theological Herald,<\/em> vol. 32, no. 1, 2019, pp. 227-239. (in Russian) <br>doi: 10.31802\/2500-1450-2019-32-247-259 <br><\/p>\n\n\n\n<p><strong>Abstract<br><\/strong>Works of Orthodox hymnography used in worship were written by Byzantine authors, many of whom are glorified by the Holy Church as saints and recognized as inspirational and talented poets. Among them is St. John Damascene and St. Cosmas of Maiuma, who lived and wrote in the VIII century. Their poetic language is full of all sorts of images and is very complex, and therefore difficult to translate into other languages. It is known that the Slavic translations of the liturgical works of these authors are not always easy to comprehend, and often there may be questions about the accuracy of the translations. In our study, we review the Byzantine commentaries of the writer and poet of the XII century Theodore Prodromus on the canons of Epiphany, compiled in VIII cent. by St. Cosmas of Maiuma and St. John of Damascus. As mentioned above, many places of these works are complex, and the commentary compiled by Theodore Prodrom reveal very well the meaning of the individual expressions and phrases of the irmos and troparion.<br><\/p>\n\n\n\n<p><strong>Keywords:<\/strong> St. Cosmas Maiuma, St. John of Damascus, Epiphany canon, Theodore Prodromus, interpretation of liturgical texts.<br><\/p>\n\n\n\n<p><strong>References<br> <\/strong>Bezobrazov, P., Lyubarskij, Ya. <em>Vizantijskij pisatel&#8217; i gosudarstvennyj deyatel&#8217; Mihail Psell. Mihail Psell: lichnost&#8217; i tvorchestvo[Byzantine Writer and Statesman Mikhail Psello. Michael Psellos: Personality and Creativity].<\/em> Saint-Petersburg: Alete\u012dia, 2001. (In Russian)<br> Bibikov, M. <em>Istoricheskaya literatura Vizantii[Historical Literature of Byzantium]<\/em>. Saint-Petersburg: Alete\u012dia, 1998, pp. 160\u2013169. (In Russian)<br> &#8212; <em>Byzantinorossica: Svod vizantijskih svidetel&#8217;stv o Rusi[Byzantinorossica: The Code of Byzantine Testimonies on Russia]<\/em>. Vol. 1, Moscow: Yazyki slavyanskoj kultury, 2004. (In Russian)<br> D\u2019Ambrosi, M., ed. <em>Theodore Prodrome. I tetrastici giambici ed esametrici sugli episodi principali della vita di Gregorio Nazianzeno [Theodore Prodrome. The Iambic and Esametric Tetrasticians on the Main Episodes of the Life of Gregory Nazianzen]<\/em>. Roma: Universit\u00e9 La Sapienza, 2008.<br> Dyomin, A. <em>O hudozhestvennosti drevnerusskoj literatury[On the Artistry of Old Russian Literature].<\/em> Moscow: Iazyki russko\u012d kul\u02b9tury, 1998. (In Russian)<br> Dil, Sh. <em>Byzantine Portraits<\/em>. Moscow: Izdatel\u02b9stvo Sretenskogo monastyria, 2011, pp. 511\u2013539. (Russ. translation)<br> Feofan, Zatvornik. <em>Sobranie pisem[Letters].<\/em> Moscow: Pravilo very, 1994. (In Russian)<br> Frejberg, L., Popova, T. <em>Vizanti\u012dskaia literatura \u0117pokhi rastsveta: IX\u2013XV vv.[Byzantine Literary Epoch: IX\u2013XV centuries].<\/em> Moscow: Nauka, 1978. (In Russian)<br> Kazhdan, A. \u201cDva novykh vizanti\u012dskikh pamiatnika \u0425II stoletiia, 1: Feodor Prodrom i ego stikhi na rozhdenie Alekseia Komnina\u201d [\u201cTwo New Byzantine Monuments of the XII Century, 1: Theodore Prodrom and his Poems on the Birth of Alexei Comnen\u201d]. <em>Vizanti\u012dski\u012d vremennik<\/em>, vol. 24, 1964, pp. 58\u201367. (In Russian)<br> &nbsp;\u201cTheodore Prodromus: a reappraisal\u201d. <em>Studies on Byzantine Literature of the Eleventh and Twelfth Centuries<\/em>, Cambridge; New York; Paris: Cambridge University Press, 1984, pp. 87\u2013114.<br> Kozhevnikova, N. <em>Izbrannye raboty po iazyku khudozhestvenno\u012d literatury[Selected Works on the Language of Fiction]<\/em>. Moscow: Znak, 2009. (In Russian)<br> Krasovitskaia, M. <em>Liturgika.<\/em> Moscow: St Tikhon&#8217;s Orthodox University, 2014. (In Russian)<br> Litavrin, G. \u201cVizanti\u012dskaia imperiia vo vtoro\u012d polovine VII-XII v.\u201d [\u201cByzantine Empire in the Second Half of the VII-XII Centuries\u02ee]. <em>Kultura Vizantii (vtoraya polovina VII\u2013XII v.)[Culture of Byzantium (Second Half of the VII\u2013XII Century)]<\/em>, Moscow: Nauka, 1989, pp. 11\u201235. (In Russian)<br> Maximus, Confessor. <em>Mistagogiia<\/em>. Moscow: Palomnik, 2004. (Russ. translation)<br> Popova, T. \u201cFeodor Prodrom\u201d. <em>Pamiatniki vizanti\u012dsko\u012d literatury IX\u2013XIV vekov[Monuments of Byzantine Literature of the 9th\u201314th Centuries]<\/em>, Moscow: Nauka, 1969, pp. 203\u2013205 (In Russian)<br> Puzik, I. \u201cPrepodobny\u012d Koz\u02b9ma Maiumski\u012d i ego kanony: (Dukhovnye razmyshleniia)\u201d [\u201cVenerable Cosmas of Maium and his Canons: (Spiritual Reflections)\u02ee]. <em>Bogoslovskie trudy<\/em>, 1981, vol. 22, 1981, pp. 116\u2013138. (In Russian)<br> Vassis, I. \u201cGraeca sunt, non leguntur: zu den schedographischen Spielereien des Theodoros Prodromos\u201d. <em>Byzantinische Zeitschrift<\/em>, bd. 86\u201387, 1993\u20131994, pp. 1\u201319. <br> Zanklas, N. \u201cByzantine Grammar Treatise Attributed to Theodoros Prodromos\u201d. <em>Graeco-latina Brunensia<\/em>, vol. 16, 2011, pp. 78\u201386. <br><\/p>","protected":false},"excerpt":{"rendered":"<p>\u0410\u043d\u0442\u0438\u0448\u043a\u0438\u043d \u0410\u043d\u0434\u0440\u0435\u0439 \u0412\u0438\u043a\u0442\u043e\u0440\u043e\u0432\u0438\u0447\u043c\u0430\u0433\u0438\u0441\u0442\u0440 \u0431\u043e\u0433\u043e\u0441\u043b\u043e\u0432\u0438\u044f, \u0430\u0441\u043f\u0438\u0440\u0430\u043d\u0442 \u041c\u043e\u0441\u043a\u043e\u0432\u0441\u043a\u043e\u0439 \u0434\u0443\u0445\u043e\u0432\u043d\u043e\u0439 \u0430\u043a\u0430\u0434\u0435\u043c\u0438\u0438, 141300, \u0421\u0435\u0440\u0433\u0438\u0435\u0432 \u041f\u043e\u0441\u0430\u0434, \u0422\u0440\u043e\u0438\u0446\u0435-\u0421\u0435\u0440\u0433\u0438\u0435\u0432\u0430 \u041b\u0430\u0432\u0440\u0430, \u0410\u043a\u0430\u0434\u0435\u043c\u0438\u044f, antishkin.av@gmail.com \u0411\u043e\u0433\u043e\u0441\u043b\u043e\u0432\u0441\u043a\u0438\u0439 \u0432\u0435\u0441\u0442\u043d\u0438\u043a. 2019. \u0422. 32. \u2116 1. \u0421. 227-239. doi: 10.31802\/2500-1450-2019-32-247-259 \u0410\u043d\u043d\u043e\u0442\u0430\u0446\u0438\u044f \u041f\u0440\u043e\u0438\u0437\u0432\u0435\u0434\u0435\u043d\u0438\u044f \u043f\u0440\u0430\u0432\u043e\u0441\u043b\u0430\u0432\u043d\u043e\u0439 \u0433\u0438\u043c\u043d\u043e\u0433\u0440\u0430\u0444\u0438\u0438, \u0438\u0441\u043f\u043e\u043b\u044c\u0437\u0443\u0435\u043c\u044b\u0435 \u0437\u0430 \u0431\u043e\u0433\u043e\u0441\u043b\u0443\u0436\u0435\u043d\u0438\u0435\u043c, \u043d\u0430\u043f\u0438\u0441\u0430\u043d\u044b \u0432\u0438\u0437\u0430\u043d\u0442\u0438\u0439\u0441\u043a\u0438\u043c\u0438 \u0430\u0432\u0442\u043e\u0440\u0430\u043c\u0438, \u043c\u043d\u043e\u0433\u0438\u0435 \u0438\u0437 \u043a\u043e\u0442\u043e\u0440\u044b\u0445 \u043f\u0440\u043e\u0441\u043b\u0430\u0432\u043b\u0435\u043d\u044b \u0421\u0432\u044f\u0442\u043e\u0439 \u0426\u0435\u0440\u043a\u043e\u0432\u044c\u044e \u0432 \u043b\u0438\u043a\u0435 \u0441\u0432\u044f\u0442\u044b\u0445 \u0438 \u043f\u0440\u0438\u0437\u043d\u0430\u043d\u044b \u0432\u0434\u043e\u0445\u043d\u043e\u0432\u0435\u043d\u043d\u044b\u043c\u0438 \u0438 \u0442\u0430\u043b\u0430\u043d\u0442\u043b\u0438\u0432\u044b\u043c\u0438 \u043f\u043e\u044d\u0442\u0430\u043c\u0438. \u0412 \u0438\u0445 \u0447\u0438\u0441\u043b\u0435 \u043f\u0440\u043f. [&hellip;]<\/p>","protected":false},"author":3,"featured_media":0,"parent":3213,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"categories":[71],"wf_page_folders":[],"class_list":["post-3289","page","type-page","status-publish","hentry","category-knigi"],"acf":[],"featured_image_urls_v2":{"full":"","thumbnail":"","medium":"","medium_large":"","large":"","1536x1536":"","2048x2048":"","trp-custom-language-flag":""},"post_excerpt_stackable_v2":"<p>\u0410\u043d\u0442\u0438\u0448\u043a\u0438\u043d \u0410\u043d\u0434\u0440\u0435\u0439 \u0412\u0438\u043a\u0442\u043e\u0440\u043e\u0432\u0438\u0447\u043c\u0430\u0433\u0438\u0441\u0442\u0440 \u0431\u043e\u0433\u043e\u0441\u043b\u043e\u0432\u0438\u044f, \u0430\u0441\u043f\u0438\u0440\u0430\u043d\u0442 \u041c\u043e\u0441\u043a\u043e\u0432\u0441\u043a\u043e\u0439 \u0434\u0443\u0445\u043e\u0432\u043d\u043e\u0439 \u0430\u043a\u0430\u0434\u0435\u043c\u0438\u0438, 141300, \u0421\u0435\u0440\u0433\u0438\u0435\u0432 \u041f\u043e\u0441\u0430\u0434, \u0422\u0440\u043e\u0438\u0446\u0435-\u0421\u0435\u0440\u0433\u0438\u0435\u0432\u0430 \u041b\u0430\u0432\u0440\u0430, \u0410\u043a\u0430\u0434\u0435\u043c\u0438\u044f, antishkin.av@gmail.com \u0411\u043e\u0433\u043e\u0441\u043b\u043e\u0432\u0441\u043a\u0438\u0439 \u0432\u0435\u0441\u0442\u043d\u0438\u043a. 2019. \u0422. 32. \u2116 1. \u0421. 227-239. doi: 10.31802\/2500-1450-2019-32-247-259 \u0410\u043d\u043d\u043e\u0442\u0430\u0446\u0438\u044f \u041f\u0440\u043e\u0438\u0437\u0432\u0435\u0434\u0435\u043d\u0438\u044f \u043f\u0440\u0430\u0432\u043e\u0441\u043b\u0430\u0432\u043d\u043e\u0439 \u0433\u0438\u043c\u043d\u043e\u0433\u0440\u0430\u0444\u0438\u0438, \u0438\u0441\u043f\u043e\u043b\u044c\u0437\u0443\u0435\u043c\u044b\u0435 \u0437\u0430 \u0431\u043e\u0433\u043e\u0441\u043b\u0443\u0436\u0435\u043d\u0438\u0435\u043c, \u043d\u0430\u043f\u0438\u0441\u0430\u043d\u044b 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\u0436\u0438\u0432\u0448\u0438\u0435 \u0438 \u043f\u0438\u0441\u0430\u0432\u0448\u0438\u0435 \u0432 VIII \u0432\u0435\u043a\u0435. \u0418\u0445 \u043f\u043e\u044d\u0442\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u044f\u0437\u044b\u043a \u043d\u0430\u0441\u044b\u0449\u0435\u043d \u0432\u0441\u0435\u0432\u043e\u0437\u043c\u043e\u0436\u043d\u044b\u043c\u0438 \u043e\u0431\u0440\u0430\u0437\u0430\u043c\u0438 \u0438 \u0432\u0435\u0441\u044c\u043c\u0430 \u0441\u043b\u043e\u0436\u0435\u043d, \u0430 \u043f\u043e\u0442\u043e\u043c\u0443 \u0442\u0440\u0443\u0434\u043d\u043e \u043f\u043e\u0434\u0434\u0430\u0435\u0442\u0441\u044f \u043f\u0435\u0440\u0435\u0432\u043e\u0434\u0443 \u043d\u0430 \u0434\u0440\u0443\u0433\u0438\u0435 \u044f\u0437\u044b\u043a\u0438. \u0418\u0437\u0432\u0435\u0441\u0442\u043d\u043e, \u0447\u0442\u043e \u0441\u043b\u0430\u0432\u044f\u043d\u0441\u043a\u0438\u0435 \u043f\u0435\u0440\u0435\u0432\u043e\u0434\u044b 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